Starring Bruce Greenwood, Kevin Costner, Stephen Culp, Dylan Baker, Michael Fairman,
Henry Strozier, Frank Wood, Kevin Conway, Tim Kelleher, Bill Smitrovich, Len Cariou.
Written by David Self. Directed by Roger Donaldson.
In October 1962, American spy planes spot a military building in the jungles of
Cuba, and discover they are setting up nuclear missiles that will be operational in
10 to 14 days. President Kennedy (Greenwood), Attorney-General Bobby Kennedy (Culp)
and special Assistant Kenneth O'Donnell (Costner) assemble their military staff and
political advisors to decide what to do. The Kennedy's are encouraged by the joint
Chiefs of Staff to prevent the missiles from becoming operational by making a surprise
attack on Cuba to destroy the missiles and the Soviet soldiers. Some even suggest
invading Cuba and putting an end to Castro once and for all.
As the crisis deepens, it soon becomes clear that the Russians have been and continue
to lie, and Kennedy's own military men are trying to force their hand and escalate
the crisis so the President will have no choice but to attack. But he holds firm,
and instead orders a "quarantine" (blockade) of Cuba to stop any further Soviet equipment
getting into Cuba. Several gut-wrenching days ensue until the crisis concludes.
Thirteen Days is an account of the Cuban Missile Crisis of 1962 based on White House
tapes, memoirs, CIA transcripts and personal interviews. It shows the U.S., and the world,
very close to nuclear war with Cuba and the U.S.S.R. Co-produced by Kevin Costner and
re-united with the director of one of his better films No Way Out, the film is
not focused on President Kennedy but is instead centered around Costner's chief of
staff Kenny O'Donnell and the effect the crisis had on him and his family. You'd think
that would be a bad thing. But Costner is as good as he's been in a long, long time and
the movie spreads screen time to the various characters involved in the drama such that
it never feels like Costner is hogging the screen. Not familiar with the details of the
Cuban Missile Crisis myself, I found Thirteen Days very suspenseful, with surprising
twists and turns, and excellent at showing the personal effects on many different politicians,
diplomats and military personnel whose lives were on the line and at the whim of their
political and military masters.
The film does not portray the American chiefs of staff in a positive light, showing them as
anti-Red hawks chomping at the bit to start a war, partially as a means to atoning
for the Bay of Pigs fiasco that had previously screwed up. The Kennedy's and O'Donnell
are shown as stressed-out humans doing their best to navigate not only the deceptive
Soviets, but their own manipulative military, and the three come off very well.
The film takes pains to show the Soviets in sympathetic human terms, showing many
of the Soviet characters, including Khrushchev, as victims of the political machinations
of Politburo hardliners who were trying to flex their muscles. It shows Russian diplomats
and beaurocrats scared and eager to get themselves and the world out of the mess their
superiors had created. An interesting theme that emerges stems from a book the President
read about World War I that described how generals on both sides were sure they had
learned the lessons from mistakes in past wars, but when they implemented their strategies,
they found with new weapons and chemicals available, those lessons were obsolete. Every
new confrontation is unpredictable, and once weapons are unleashed, no one knows how
events will unfold.
The performances of the ensemble cast are first-rate. Standing out is Bruce Greenwood as
President Kennedy. Almost unrecognizable in his suit and New England accent, he masterfully
projects a man not always sure what to do, but strong in his resolve to avoid unnecessary
war that some of his advisors wished to thrust on him. Stephen Culp is also excellent as
the feisty Attorney-General who refuses to accept military attacks as the only response
available. Thirteen Days is a beautifully made, well-written and performed
with intensity, and for those who enjoy political and historical stories, it is one likely
to please.
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